Sascha Bailey

Partyhat is a venture studio and early-stage investment firm focused on building and backing the next generation of culture and commerce. The company develops ventures from the ground up, taking ideas from concept through to fully realized brands, while also supporting founders at the seed stage who are shaping the future of digital experiences. By bringing together design, engineering, and growth, Partyhat transforms early-stage ideas into scalable, globally relevant businesses. With a focus on creator platforms, entertainment, and digitally native products, Partyhat prioritizes opportunities where strong design, cultural relevance, and genuine market demand intersect to create lasting impact.

Art and the blockchain, it is something people in the blockchain community have always talked about, but how would it be possible? Monegraph, the first digital art blockchain project created a system that could prove IP rights of any artwork uploaded. However, the file store was centralised and there was no real way to keep track of the artworks other than the transfer on the blockchain. The image files were only kind of linked to these transactions; the issue remained unsolved. Then late last year a bit of magic happened. Enter; Crypto kitties and ERC-721 a protocol for non-fungible tokens . A solution? Well not quite... Stay tuned for updates on this amazing project.

I am the CEO for quite useless arts. I am in charge of; the pricing of art, scouting new artists, hanging shows (by hand), stretching artworks (by hand), PR, blogging, writing of bios, writing of all press and concepts, heading sales and cataloguing artworks. To date quite useless has held over 10 exhibition in London.

Found and facilitated the sale of artworks to the Saudi royal family

Assisted to open Damien Hirsts museum in New port street.

Curated art exhibitions in central London including the route less travelled in Covent garden.

Worked as an in house runner, during the Lucien Freud exhibition.