Cameron Mitchell Elmore

-Built and lead the content innovation function at DramaBox, defining how AI-assisted workflows are integrated across development, production, and localization for a platform with 100M+ global downloads. -Designed production and operational frameworks that scale episode output while protecting creative quality — turning experimental AI tooling into repeatable, team-ready process. -Set content strategy in partnership with business and product leadership, aligning creative direction with monetization, audience growth, and market-expansion goals. -Manage end-to-end production across scripting, shoot, edit, and delivery, coordinating internal teams and external partners to keep a high-volume slate on schedule. -Operate at the front edge of the fastest-growing category in mobile entertainment, where short-drama downloads now outpace traditional streaming and the market is forecast to reach $7–8B in 2026.

-Selected as a Semifinalist for the ScreenCraft True Story & Public Domain Competition by collaborating with author Bruce Mowday to adapt his novel into a comedic, true crime screenplay. -Developed compelling and believable characters for the detective script by conducting thorough research, including interviews with the real-life sheriff and FBI agent, to ensure well-rounded and authentic portrayals based on actual events. -Crafted an engaging and cohesive narrative for the script by thoroughly analyzing the source novel, selecting key plot points, and applying the principles of the five-act structure.

-Amassed over 10 million listens through launching high-impact content campaigns by developing a team structure and project scheduling for the fantasy content division, establishing writer deliverables, communicating with production management to achieve tight deadlines, and utilizing Google Suite and Asana to track writer and show visibility through spreadsheets, documents, and drive folders. -Upscaled the company by 500% through developing and implementing a company-wide training program by creating onboarding presentations that outlined the localization pipeline, determining training assignments that would help writers quickly grasp how to write for audio narratives, and hiring creative leads to execute the training process. -Cultivated a more immersive audio experience for listeners by producing seven localized full-cast audio series with linguistic accuracy and cultural authenticity through managing screenwriters, directing voice-over artists, and developing audio briefs for sound engineers. -Grew the Fantasy Division from 20 writers to 180 writers within two months by spearheading the Talent Acquisition Team, determining standards and needs for potential writers, and hiring recruiters. -Improved business standards and practices by working jointly with HR, communicating workflow problems, and collaborating to find effective ways to produce 800-1,000 hours of content a month under aggressive deadlines. -Increased conversion of paying users by 50% on select shows by implementing a process in which writers rework shows with a targeted approach to create more brand-appropriate, engaging content. -Supervised the production of Chosen by Fate, Rejected by the Alpha, which amassed 9 million listens within its first month on the app. Formed a team of writers who were best fit to adapt the content to an audio space, negotiated with production to meet the team’s needs, and collaborated with the growth and marketing department to help drive new users to the show.

-Launched thirteen fantasy shows with a team of nine writers, coordinating and overseeing all aspects of localizing Chinese, Japanese, and Indian web fiction to create high-quality audio series suitable for an American audience, all the while meeting tight deadlines and budget constraints. -Elevated company’s writing standard by developing a writing style guide, a comprehensive document that outlined formatting, writing rules, and tips and tricks for writing in the audio space. -Implemented industry trends by developing a prototype AI assistance tool that would be used to help guide new writers in generating ideas for their stories, aimed to speed up the development phase of creating shows. -Boosted show growth by creating visually comprehensive advertisements and show graphics packages using Photoshop. -Ensured quality episodes were delivered to production by proofreading, editing, and providing feedback on copy, acting as the main point of contact for writing agency vendors.

-Won the company’s original series contest by writing the highest-performing activation, which consisted of 10 episodes of a romance story. -Achieved daily deliverable expectations of localizing 3 episodes at 6 thousand words a day by utilizing localization software. -Pitched treatments and show bibles that were commissioned to series. Drafted log lines, story arcs, character sketches, and episode outlines supported by data analysis of the app’s target audience and demographic.

-Wrote 450 pages of scripts, interactive story elements, and branching narratives for an educational video game funded by the Bill and Melinda Gates Foundation. -Trained the game’s AI chat system by authoring in-character responses for hundreds of questions, teaching the AI to replicate authentic and engaging character interactions with students. -Ensured scripts were entertaining and educational by collaborating with algebra educators, using Miroboard to communicate concepts, structure scripts, and visualize production timelines. -Managed the project’s budget to produce six episodes of animatics by hiring and directing storyboard artists, editors, and voice-over actors, working in Adobe Suite.

- Engineered the sound for an animated CalArts student film. - Forged a whimsical, full sound mix to fit the world the director created. - Coordinated with the composers to create a cohesive sound for the film.

-Provided script coverage on 3 pilots and 2 features week, offering ideas to improve scripts.

Wrote and directed the short film Beat Boxing (2020).

Wrote and directed the award-winning short film Secret Space (2019).

Wrote and directed the short film Not So Super (2016).

Lead role in a national commercial.

Emphasis in Directing and Screenwriting Summa cum laude