Philip M. Turner

• Collaborate with the director to develop a compelling visual style and shot list. • Plan and execute all aspects of cinematography including camera operation, lighting design, lens selection, and framing. • Scout locations and determine optimal setups for lighting and shooting. • Manage the camera and lighting crew on set, ensuring smooth and timely execution. • Oversee camera setups, exposure, and color consistency throughout production. • Ensure footage is captured at the highest possible quality, in line with post-production requirements. • Participate in pre-production meetings, tech scouts, and rehearsals as needed. • Work closely with gaffers, grips, and ACs to maintain visual continuity. • Collaborate with post-production on color grading and image delivery needs.

As a Photographer and Cinematographer I use equipment and a strong artistic vision to present my unique perspective of the world and they Human Situation—whether I'm taking portraits of people, documenting a special event, or taking product photographs that capture an unexpected angle. For more info, look me up through my website: www.pmfoto.com, like me on twitter: Philip Marcel, and like my page on Facebook and Instagram at Philip Marcel Photography. ALSO! My Pinterest is Lit too!

Head of the camera department. Capture the photographic impression of the directors' vision. Translates the vision of the director into how the camera will capture it. Analyzes how each scene will be lit, which camera filters and lenses to use, as well as the position of the camera. Put the crew into motion to make certain that they get as close as possible to what the director initially had in mind. In charge of all camera operators, camera assistants, focus pullers as well as the lighting crews. Following production, responsible for making sure that the processing of the film is done to exact specifications to insure all elements captured while shooting remain intact.

The things I do: Responsible for selecting, editing, and putting beautiful images in the hands of our talented designers for publishing the photos to accompany the text for the editorial. I also supervise staff/intern photographers, give photo assignments and make sure that the work is completed on time. And of course conceptualize editorial and advertorial pieces with editor, and publisher. I also enjoy great perks. For example, shooting very talented Chefs and then enjoying their amazing works of creation when the shoot is finished. :) I really love that part!