moses ibekwe
3D Generalist
About
I’m a versatile 3D generalist with over six years of experience delivering high-quality assets and animations for commercials, games, virtual tours, and feature films. My work spans notable collaborations with brands and organizations such as Total Energies, McCain Farms, Roblox, Minecraft, Crocs, the British Museum, and Gidi Virtual Tours. Most recently, I served as Lead Artist at Komotion Studios on Dawn of Thunder, an upcoming African animated feature film. I bring a full-spectrum skill set that includes modeling, sculpting, UV unwrapping, texturing, rigging, animation, lighting, composition, and rendering. Whether working independently or in a team, I’m passionate about creating impactful visuals that blend technical precision with artistic storytelling.
Nigeria
Ikeja
Animation
Blender, Autodesk 3ds Max, Substance Painter, Prop Modeling, ZBrush, Autodesk Maya, Unreal Engine, Technical Project Leadership, Game Design, Team Leadership, Supervisory Skills, Texture Artist, 3D Graphics, Digital Production, Environment Art, Product Design, 3D Animation, Motion Capture, Training, Team Management
Experience

3D Generalist

3D Artist
OELAY studios
Lagos State, Nigeria
In my role as a 3D Artist at OELAY studios, I was responsible for creating captivating 3D characters for a unique series that combined magic and sci-fi in a dystopian ruin setting. I collaborated with a talented team to bring the fantastical world to life, utilizing advanced techniques to ensure the highest quality designs. My work contributed significantly to the visual appeal and storytelling of the project.

Senior 3D Artist
ALIGN studios
Lagos, Lagos State, Nigeria
Thrilled to have worked with the talented team at Align Studios on a vibrant, fast-paced animated project centered around the bustling streets of Lagos, Nigeria. As the 3D Artist, I was responsible for modeling, texturing, and look development of stylized vehicles and urban environments that reflect the unique energy and character of Lagos. From danfos and kekes to traffic-packed expressways, the project blended cultural authenticity with animation-driven storytelling. This project challenged me to strike a balance between stylization and realism, ensuring that each asset felt grounded in the local context while being expressive and animation-ready. Collaborating across departments—animation, lighting, and compositing—was key to bringing this dynamic world to life. Grateful to have contributed to a project that celebrates African urban culture through animation.
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