Maeva Cortinovis

| UI ART & CREATIVE SERVICES FOR GAMES | - UI art assets creation ( iconography, 2D assets , screen developement) - UI art consulting (reviews and testing) - Logo design - Mascot creation - Branding kits for social medias - Concept art | UI ART & CREATIVE SERVICES FOR GAMES FOR FILMS | - Concept art - 2D art and illustrations - Poster creation - Story Board - Logo Design - Branding kit creation for social medias | DIRECTION & LEADERSHIP | - UI style guide creation - UI art consulting & reviews - UI art Role package definition - UI art Team structure consulting - Internal training & Mentoring | INDUSTRY EVENTS | - Workshop & Masterclass - Conference talk - Jury Participation

| SPEEDBALL | - Owned and developed the project’s UI art style guide in close collaboration with Art Direction and UI Design teams. - Led the UI Art team, managing sprint planning, feedback sessions, and team workflows to ensure consistent visual quality. - Strengthened the studio’s UI art pipeline, helping define role responsibilities and scalable production processes. - Managed outsourcing pipelines, maintaining clear communication and visual quality standards. - Oversaw early access polishing, visual asset integration, and cross-team implementation (Tech Art, VFX, Animation, Concept, and Environment teams). - Provided visual supervision for marketing, including branding kits, social content, and roadmap visuals. - Designed portfolio templates and internal learning materials for Unreal Engine.

| OUTCASTERS | - Created UI assets optimized for the Stadia platform. - Explored new production pipelines using Substance Designer for procedural asset generation. - Completed training in Substance Designer and Maya modeling to expand production capabilities | GEARS TACTICS | - Promoted to Mid-Level UI/2D Artist and appointed principal UI artist on the project. - Delivered high volumes of polished assets under tight deadlines with minimal deadlines - Defined internal UI and 2D art role packages, responsibilities, and visual workflows. - Authored core documentation including the UI Art Guide, moodboards, process docs, and visual explorations. - Established cross-disciplinary communication pipelines to align with Tech Art, Animation, and QA teams. - Trained in UI art implementation with Unreal Engine. - Took a 6-month Character Design Mentorship - Became a mentor figure for junior UI/2D artists, supporting their artistic growth and onboarding. - Participated in and led artist recruitment interviews. - Facilitated a Creature Design Workshop at Bellecour Schools of Art to share production insights.

- Developed and maintained the iconography style and AAA-quality visuals across UI components. - Managed tight production deadlines while ensuring consistency and polish. - Created and maintained UI Art documentation, including art guides, moodboards, and workflow materials. - Acted as the UI Art representative in cross-discipline meetings, supporting production and vision alignment. - Participated in lead meetings to help define the internal role and responsibilities of the UI/2D team. - Proposed and implemented improved team communication pipelines, bridging gaps between UI, concept, and tech. - Created cinematic concept art to support the launch phase alongside the concept team. - Contributed to user testing by creating visual hypotheses and UI survey experiments. - Participated actively in playtests to ensure visual feedback aligned with gameplay experience. - Provided French localization support for Dirty Bomb. - Took part in an internal Game Jam as an illustrator and concept support. - Began mentoring aspiring UI artists and assisting with minor concept art tasks.

- Created the main character design (Anubis) in his 3 evolved forms: divine, jackal, and human - Designed the logo and title of the project

| SPIRE | - Created realistic anthropomorphic creatures - Created Character design and prop design inspired from the 19th century

- Worked closely with the direction and the production team - Created realistic character concepts using photo-bashing - Generated realistic sci-fi costumes and equipment according to the original Dead Space franchise - Produced references of texturing and materials for the costume stylists - Produced the storyboard of the first episode

Shōgun no Kamigami is a transmedia project: CG Series & 3rd person coop Action RPG/Hunting Game - Produced stylized concepts - Created the logos and iconography - Created the main Kami/Yokai (creatures from Japanese folklore) - Elaborated the visual style of the project - Closely collaborated with the Art direction and art team

- Led the art team - Customised armor and created new stormtrooper designs - Produced highly detailed pattern design - Designed the main vehicles and creatures - Produced posters, logos, and commercial pictures

- Created posters, logos, and marketing contents

- Worked closely with the Director (Ger Duffy) - Provided quick sketches and iterations - Produced realistic concepts using photo-bashing and matte painting techniques - Designed environments inspired by Dublin - Provided concepts for the costume designers

Game art | Concept art