kevin kelly

Co-producer/Chief engineer for all syndicated product including the daily short-form radio shows ":60CD" (a critical/informational review of current music releases) , ":60 Preview" (a daily review of the best in motion pictures) and "Video Viewer" (a daily feature spotlighting older film and video releases)

Curriculum development, classroom/studio instruction, advisement, coordination in an NCC Certificate Program in the area of Studio Recording Technology.

* Recording/Mixing engineer with many major label, film score and jingle credits. Noteworthy studio projects from this era include: Blondie * The Betrok sessions, Edgar Winter * Standing On Rock", Rick Wakeman * The Burning", Arlen Roth * Hot Pickups" and "Paint Job", The Holy Modal Rounders "Last Round" ... film scores for "Playing For Keeps", "Ryder PI", "Tokyo Pop" and "Crossover Dreams". As producer/engineer for the WLIR-FM live concert series: Hall & Oates, Billy Joel, The Police, Charlie Daniels Band, Peter Tosh, Ziggy Marley, Pure Prairie League and many more, mixed and broadcast live from the stage of the original "My Father's Place" in Roslyn, NY

After 25 years as co-cordinator of The Studio Recording Technology Program at Nassau Community College, I have transitioned into producing/mixing music again at "The Workshoppe East". The original "Workshoppe Recording Studios Inc." in Douglaston NY was a full service, multi-room, SPARS member facility - servicing the record, film and advertising industries. The new studio/mix room (twenty miles due east in Huntington) takes up where the other left off ... uh ... thirty years later ... on a smaller scale. Welcome to my retirement! I continue to teach one adjunct course per semester in SRT at NCC.