FEIRAN YEE

Currently based in Xiamen, dedicating time to developing the script for my debut feature film. Alongside my independent filmmaking, I operate Alexander Yee Studio, providing top-tier visual and narrative consulting for global brands. 🏆 Recent Commercial Directing Work (2022-2025): Over the past few years, I have directed and visually conceptualized high-end TVCs and micro-films for world-class brands including Mercedes-Benz, Chanel, Chow Tai Fook, and Henderson Land Group (WFC). This extensive on-set directing experience allows me to infuse deep cinematic aesthetics into commercial storytelling. 🎯 Current Focus & Remote Services: To maintain focus on my feature film script, I am currently taking on selective, remote, or project-based collaborations. I provide high-ROI "brain and aesthetic" consulting for outbound brands and premium content platforms: 1. Brand Visual Treatments & Pitch Decks: Crafting cinematic and high-converting visual concepts for global campaigns. 2. Script Doctoring & Premium Short-Drama Screenwriting: Elevating narrative arcs and emotional tension for the short-drama market. 3. Remote Post-Production Supervision: Providing editing and color-grading guidance to ensure a cinematic final cut. 目前长居厦门，创作院线长片剧本。此期间通过个人工作室为品牌及优质内容平台提供视觉与叙事顾问服务。 🏆 近期核心商业导演经历 (2012-2025)： 导演操刀奔驰、香奈儿、周大福、恒基地产 (WFC) 等品牌的TVC与微电影。这些商业实拍，使我能精准将电影美学注入商业叙事中。 🎯 目前开放的远程合作 (菜单式服务)： 目前主要接受灵活的、项目制或远程的“脑力与审美”输出型合作，为出海品牌或精品影视团队提供专业赋能： 1. 品牌出海视觉策划 (Treatments)： 撰写对标国内国际的一线广告创意脚本及导演视觉阐述。 2. 剧本医生 / 精品短剧编剧： 为影视机构提供专业剧本评估，或撰写高情绪张力的短剧/微电影剧本。 3. 远程后期视觉监制： 针对已拍摄项目，远程把控粗剪节奏与调色基调，确保成片的电影级高级感。

• "The Way to the Stars" (此处通往繁星, 2021-2022): Served asScreenwriter and Executive Producer, completing the first draft of the TV series. Responsible for world-building, structural pacing, and deep character arc development. • "Flourish in Time" (我和我的时光少年, 2020): Acted as Lead Script Planner for the TV series, driving the core narrative strategy and emotional tension design. • 电视剧《此处通往繁星》(2021-2022)： 担任编剧与剧本监制，主笔完成全剧第一稿，负责核心世界观搭建、人物弧光设计与剧情节奏推演。 • 电视剧《我和我的时光少年》(2020)： 担任剧本策划，把控全剧核心叙事策略与情感张力设计。

Directed the original premium short-drama "Mr. Ma" in collaboration with GQ Lab and Xigua Video. • Successfully blended the high-end fashion aesthetics of Condé Nast with fast-paced, highly engaging short-form video narrative structures, capturing massive audience attention. 与康泰纳仕 GQ 实验室及西瓜视频联合出品，执导原创精品短剧《输不起的 Mr.Ma》。 •将顶级时尚媒体的奢华视觉基因与强情节的短视频叙事完美融合，精准拿捏年轻一代受众的高频情绪共鸣。

Served as First Assistant Director for the blockbuster feature film "The Island" (Box Office: 1.35 Billion RMB), directed by Huang Bo. •Collaborated closely with the director on script refinement, visual shot listing, and managing complex on-set execution. • Demonstrated extreme capability in controlling large-scale cinematic productions and deep-diving into character-driven storytelling. 担任黄渤导演院线电影《一出好戏》（票房13.5亿）第一副导演。 • 与导演深度协作，参与剧本打磨、分镜头设计以及极为复杂的现场拍摄调度。 •具备驾驭S级大型剧组的控场能力，以及对强人物驱动电影叙事的深刻理解。

Worked directly with top-tier Chinese director Ning Hao's creative team. • Focused on commercial film script development, narrative pacing analysis, and high-concept story generation. 深度参与国内一线商业片大导宁浩团队的创意开发。 • 专注于院线商业类型片的剧本孵化、高概念故事策划与叙事节奏推敲。

Began professional career at one of China's most prestigious film studios. Directed early commercial projects and wrote film/TV treatments,building a solid foundation in both visual directing and textual storytelling. 职业生涯起步于国内老牌头部影视巨头小马奔腾。负责早期商业项目的导演工作与影视剧本策划，奠定了“视觉与文本”双修的坚实专业基石。

Systematic training in Fine Arts, focusing on color theory, composition, and visual aesthetics. This strong academic foundation in classic arts translates directly into my cinematic visual storytelling, enabling me to precisely control light, color, and art direction for top-tier commercial brands like Chanel and Mercedes-Benz.