Christopher Moores

In this role, I am privileged to contribute to the creation of exquisite aircraft interiors tailored for VIPs and Heads of State. My responsibilities encompass designing opulent cabins spanning an impressive 4000 square feet. To achieve this, I employ a wide array of software tools, with a primary focus on 3DS Max and Adobe Suite. My daily tasks involve collaborating with the team to prepare 3D models and scenes, often working from initial sketches and design specifications. Additionally, I play a crucial role in supporting redline updates to our renderings as needed, ensuring that our visual representations align with project requirements and standards. Furthermore, I am actively engaged in assisting the Design Team, particularly in the development and maintenance of our 3D prop and Vray material library. My contributions extend to preparing presentation boards and print materials, enhancing the visual communication of our design concepts. Working at Greenpoint Technologies has been an exciting journey, enabling me to channel my creative talents into crafting exceptional luxury aircraft interiors and bringing them to life through high-quality renderings and visuals.

I designed and directed various projects across multiple platforms, such as print, video, and web. I created concept artwork and layouts for digital projects based on creative briefs and client meetings. My responsibilities included working within brand guidelines to develop layouts that reinforced the Eviation brand's style and voice through its visual touchpoints. Additionally, I designed user-centered interaction models, wireframes, and screen mock-ups for websites and social media outlets. I was also accountable for directing and designing logos, icons, and infographics.

I was a member of Astronic's Corporate Marketing team, where I created visually clean and engaging designs for support materials in 2D/3D, motion, and animation, as well as videos under tight deadlines. My additional responsibilities included supporting all print advertising and corporate trade-show graphics. I produced compelling and photorealistic 3D renderings, animations, and photo composites for both the corporate website and social media campaigns. And then....COVID.

I created outstanding user interfaces, demonstrating a keen eye for clean and artful design, along with superior UI skills. I excelled at translating high-level requirements into interaction flows and artifacts, transforming them into beautiful, intuitive, and functional UIs. My responsibilities included: • Developing clean, appealing, and user-friendly interfaces through iterative processes. • Crafting data visualizations and infographics. • Creating high-fidelity mock-ups, redlines, style guides, and assets. • Collaborating effectively with designers, engineers, product managers, marketing, and sales teams. • Presenting and defending designs and key milestone deliverables to both peers and executive-level stakeholders. • Establishing and promoting UI design guidelines, best practices, and standards.

I created modern, innovative, and functional passenger and crew interfaces for airlines and aircraft manufacturers. My role encompassed various design aspects, including 3D design, illustration, color theory, and navigation. I was responsible for generating clear ideas, concepts, wireframes, and seeing the creative asset design process through from inception to completion. Some key achievements and responsibilities during my tenure included: • Completing 3D and GUI creative concepting and design development for passenger cabins showcased at Avionics tradeshows (APEX, AIE, EBACE & NBAA). These demonstrations highlighted potential capabilities and VIP cabin layouts, contributing to new sales for airlines and aircraft manufacturers. • Designing and developing the crew GUI for Bombardier aircraft demonstration on the CS100, which subsequently led to its use and demonstration by Bombardier at the Paris Air Show in Paris, France in 2010. • Defining the visual brand for all Panasonic in-flight entertainment systems (eX2, eFX, SK2, and 3). This included logo design and the implementation of graphic standards across technical documents and interface screens for X-Series software. • Developing the IFE interactive eX2 GUI, which was demonstrated at WAEA 2004 to delegates from 38 airlines worldwide. This eventually led to its use and demonstration by Airbus on A380 route-proving aircraft during a world tour of airlines in 2004. • Ensuring a balance between business and design considerations by aligning with customers' brands, business missions, and needs to deliver effective solutions.

I served as a member of the design team responsible for crafting technical illustrations for the 2003 release of Encarta Digital Multimedia Encyclopedia, available both online and on CD. My contributions included: • Generating vector-based drawings, which encompassed a wide range of subjects, including medical illustrations, cartography, technical cutaways, and both mechanical and conceptual artwork. • Delivering artwork that served as vital visual references within the encyclopedia, which comprised a vast collection of 62,000 articles and 25,000 pictures and illustrations. These illustrations played a crucial role in providing readers with a clear overview of the subject matter being presented, enhancing their understanding and engagement with the content.

I worked directly with the VP of Outdoor, Product Director, and Global Marketing Manager to convey the overall look and feel of K2 Outdoor Brands. My role involved planning and creating various marketing materials, including product catalogs, point-of-purchase displays and fixtures, packaging, accessories, hard-goods, soft-goods, and website assets. My responsibilities included: • Designing sports-related artwork for all company divisions, which encompassed skis, snowboards, in-line skates, and bicycles. • Developing concept artwork for mock-ups and final designs, specifically for the internal brand, OLIN skis. • Overseeing the production and ensuring the appropriate application of final artwork for press and dye sublimation production processes. • Collaborating with a production team to ensure that the final graphic designs adhered to corporate branding standards. • Coordinating with vendors and providing final approval for graphics before initiating production for any outsourced production work. • Producing marketing collateral such as brochures, t-shirt designs, promotional posters, and point-of-sale items for all company divisions.

Studied Graphic Design, and Illustration from one of the best instructors in the industry. Jon Swindell.

Learned to become very proficient with Autodesk 3DS Max from two very talented 3D artists and instructors...Mr. Jason McCoy and Mr. Roy Stanton